Marcus Najac

Curriculum Vitae

Education

Bachelor of Fine Arts, Ceramics

Southern Utah University, Cedar City, UT                                    2016

Professional Experience

Beginning Ceramics Teaching Assistant

Southern Utah University, Cedar City, UT                                    Fall 2014

Studio Lab Assistant

Southern Utah University, Cedar City, UT                                    Fall 2014 – Present

Exhibitions

2015

Festival of Excellence, Cedar City, UT

Student Show Off, Cedar City, UT

2014

Festival of Excellence, Cedar City, UT

Student Show Off, Cedar City, UT

2013

Ceramics Guild Show, Studio 547, Cedar City, UT

Festival of Excellence, Cedar City, UT

Student Show Off, Cedar City, UT

2012

Ceramics Guild Show, Studio 547, Cedar City, UT

2011

Artist Showcase, Dixie State College, St. George, UT

Publications

2015 Kolob Canyon Review, Southern Utah University, Cedar City, UT

Other Experience

2015 Juror, National PTA Reflections Campaign, “Let Your Imagination Fly.”

References

Susan Harris

Southern Utah University, Cedar City, UT

Russell Wrankle

Southern Utah University, Cedar City, UT

Shane Christensen

Dixie State University, Cedar City, UT

Website

marcusnajac.wix.com/ceramics

                                                       Artist Statement

I am a vessel maker. The primary foci of my work are design and utility. Using both high-fired porcelain and low-fire earthenware, I strive to make simple forms that demonstrate restraint and good craftsmanship. I believe that through simplicity, my pottery is strengthened and beautified.

To decorate my porcelain, I use a technique known as shellac resist. When I apply shellac to bone dry clay, I am able to use water to etch away layers of clay resulting in a three dimensional surface. My design choices are driven by a pursuit of balance between form and surface. Using hydro-abrasion allows me to reference the process of erosion. I also fire in atmospheric kilns as a way to show process and give my work its own identity.

My earthenware surfaces are comprised of commercial glazes and underglazes. In order to achieve color and texture, and to manage the outcome, I apply slips and glazes, firing multiple times. Combining layers of these materials I am able to achieve a surface that looks worn or aged. I am interested in this patina like surface and how it gives vitality to my vessels. The use of geometric patterns adds contrast and dynamics to my work.

My intent is that through referencing the natural process of time and its resulting effect on ceramic objects, my work may also stand the test of time. My hope is that my work can communicate to the viewer a captivating and quiet conversation.